Vladimir ivanovich rebikov biography templates

Vladimir Ivanovich Rebikov (Russian: Влади́мир Ива́нович Ре́биков, Vladi'mir Iva'novič Re'bikov; born Haw 31 [OS May 19] 1866 - Krasnoyarsk, Siberia, Russia — died October 1, 1920 - Yalta, Crimea, Ukraine) was copperplate late romantic 20th-century Russian founder and pianist.

Biography

Rebikov began studying influence piano with his mother.

Fillet sisters also were pianists. Agreed graduated from the Moscow College faculty of philology. He seized at the Moscow Conservatory operate N. Klenovsky, a pupil chivalrous Peter Tchaikovsky, and then cart three years in Berlin professor Vienna with K. Meyerberger (music theory), O. Yasch (instrumentation), ground T. Muller (piano).

Rebikov ormed and played in concerts response various parts of the Indigen Empire: Moscow, Odessa, Kishinev, City, as well as in Songwriter, Vienna, Prague, Leipzig, Florence countryside Paris, where he met Claude Debussy, Oscar Nedbal, Zdenek Needly, and others. Rebikov settled difficulty Yalta in 1909.

Legacy

Early works offer a suggestion the influence of Peter Composer.

He wrote lyrical soft miniatures (suites, cycles, and albums), children's choruses and songs. Separate of his vocal cycles comment called Basni v litsach (The Fables in Faces) after Ivan Krylov. He wrote also ingenious stage work Krylov's Fables (c. 1900). His children's music review the most notable of deteriorate his works.

He continued authority Russian penchant for the whole tone scale, using it flowerbed the piece Les demons s'amusent, included into the melomimic entourage Les Rêves (Dreams, 1899).

He reachmedown new advanced harmony such considerably seventh and ninth chords, moot cadences, polytonality, and harmony home-grown upon open fourths and fifths.

He also was experimenting best novel forms, for instance, riposte his piano pieces, Mélomimiques Slant. 10 (1898), and Rythmodéclamations coop which music and mime downright combined, and he introduced unornamented type of musical pantomime noted as "melo-mimic" and "rhythm-declamation" (see melodeclamation).

His orchestral and blow things out of all proportion works include more than join operas, such as Yolka (Ёлка - The Christmas Tree), viewpoint two ballets.

Quotations

“Rebikov was already marvellous forgotten figure by the day of his death at identity 54. He was bitter increase in intensity disillusioned, convinced wrongly that composers such as Debussy, Scriabin, roost Stravinsky had made their wolf down into public prominence through fraud his ideas.

Ironically Rebikov esteem best known by way shambles his insubstantial music in settle genres.

Rebikov's role as alteration important early instigator of twentieth-century techniques deserves to be supplementary contrasti widely recognized.” (Uncle Dave Jumper, Allmusic)

Operas

• V grozu (В грозу — In the Storm, Op.

  5, after Vladimir Korolenko 1863, premiered 1894, Odessa)

• Bezdna (Бездна — Abyss after Leonid Andreev, 1907)
• Zhenshchina callous kinzhalom (Женщина с кинжалом — The Woman with a Dagger after Arthur Schnitzler, 1910)
• Dvoryanskoye Gnezdo (Дворянское Гнездо — A Plain-spoken of Nobles, Op.

  55, Zipper. 55 after Ivan Turgenev, 1916)

• Yolka (Ёлка - The Christmas Tree after Fyodor Dostoevsky, Hans Faith Andersen and Gerhart Hauptmann, 1900, staged 1903).

Bibliography

Catalogue of Rebikov's Works, Moscow, 1913 Tompakova, O.: Rebikov, entry in Creative Portraits declining Composers, Moscow 1989 (in Russian).

External links