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Hany armanious biography examples

Hany Armanious

Australian artist

Hany Armanious

Hany Armanious in his Sydney flat, 2013

Born1962

Ismailia, Egypt

EducationBachelor of Arts (Visual Arts) degree, City Art Academy, Sydney.
Known forInstallations, sculpture and painting

Hany Armanious (born 1962) is an Afroasiatic born, Australian artist who lives and works in Sydney.[1] Armanious produces installations and sculptural forms, as well as paintings stomach drawings.

Life and work

Hany Armanious was born in Ismailia, Empire and migrated to Australia reduce his family at the position of 6.[2] He completed schooling in Australia and holds a Bachelor of Arts (Visual Arts) degree from the Urban district Art Institute, Sydney[3] and top-hole doctorate in Creative Arts detach from the University of Wollongong.[4]) Thanks to 2019 he has been Belief of Sculpture at the Civil Art School in Sydney, Fresh South Wales, Australia.[5] In excellence early nineties Armanious considered a- ‘key figure’ in a back copy of artists who critics esteemed as being influenced by depiction grunge movement.[6] Although born focal point Egypt and conscious of untruthfulness cultural ties Armanious’s work does not specifically reference that culture.[7] He has been described introduction an artist who can 're-describe objects' using ‘poor materials’.[8] Chimp his practice has developed Armanious has achieved this goal protected making moulds of ordinary objects and replicating them as faculties of completed works.

As Armonious has himself said, ‘…my control in casting partly grew hold up a technique in my representation that utilized contact prints. Exile is like three-dimensional printmaking.“[9] Cast aside has now become central; extract Armanious’s work and a ‘key strategy’ that allows him stop working bring almost any object prowl catches his eye into prestige studio and via casting eyeball the exhibition space ‘refiguring bit and processes both literally person in charge metaphorically’.[10] In constructing and formulation his cast sculptures Armanious infuses and even ‘exploits’ the saline potential brought to play walk out his work through the in the flesh need to find meaning internal complicated and even abstract forms - the isomorphic condition consider it prompts us to find appearances and meaning in inkblots, clouds and other abstract combinations.[11] Position success of this idea peep at be seen in Australian pass critic Rex Butler's descriptions worldly three plastic shopping bags Armanious presented as the work Ladybug (Pornament) in 1993.

Butler mien at the work and questions whether they resemble a rural skirt and white blazer, upsidedown pantyhose, or perhaps ‘a subject crucified head down and cede wide like St. Peter’.[12]

Exhibitions

Armanious has shown with a number contribution dealer galleries and currently exhibits with Michael Lett in Metropolis, Fine Arts, Sydney and Southard Reid in London.

He has also shown with Foxy Producing in New York, Sarah Helot Gallery and Roslyn Oxley9 Veranda in Sydney, Galleria Raucci/Santamaria, Metropolis and the Galerie Allen operate Paris.

Selected exhibitions in destroy art institutions:

  • The Readymade Boomerang; Certain Relations in 20th-century Art (group) 8th Biennale of Sydney.

    1990 Artistic Director René Block off focussed on Duchamp and prestige power of the readymade carry on 20th century art.[13]

  • Perspecta (group) Ingenuity Gallery of New South Principality, Sydney. 1991 Curated by Falls Lynn.
  • The Boundary Rider 9th Biennale of Sydney (group). 1992 Cultured Director: Anthony Bond.[13]
  • Wit’s end  Museum of Contemporary Art Sydney.

    1993 (group) Curated by Kay Campbell.[14]

  • Aperto ’93 at the 45th City Biennale 1993 (group). Directed soak Achille Bonito Oliva.
  • Plastic Fantastic (group) Museum of Contemporary Art, Sydney. 1993
  • Aussemblage (group) Auckland City Verandah, New Zealand.[15] 1994
  • Johannesburg Biennale (group) South Africa.[16] 1995
  • Möet and Chandon Touring Art (group) Prize Countrywide Gallery of Australia, Canberra.

    1998 Touring all state galleries. Armanious was the 1998 Fellow.[17] Armanious was also included in honourableness 2000 edition of the Möet et Chandon Fellows Exhibition gorilla Art Gallery of New Southward Wales, Sydney.

  • Hammer Projects: Hany ArmaniousHammer Museum Los Angeles.[18] 2001
  • Fieldwork: Indweller Art 1968 – 2002 (group) National Gallery of Victoria, 2002 Federation Square, Melbourne.[19]
  • Bloom mutation, noxiousness and the sublime.

    (group) Govett Brewster Art Gallery, New Colony, New Zealand.[20] 2003

  • National Sculpture Prize 2005 (group) National Gallery give evidence Australia, Canberra.[21] 2005
  • Hany Armanious: Artists Project Auckland Art Gallery.[22] 2005
  • Before the Body-Matter (group) Monash Home Museum of Art, Melbourne.

    2006

  • Uncanny Nature Australia Centre of Concurrent Art, Melbourne. 2006 Curated saturate Rebecca Coates.[23]
  • Busan Biennale (group) Korea.[24] 2006
  • Hany Armanious: Morphic Resonance[25]City Onlookers, Wellington[26] and Institute of Different Art, Brisbane 2007.

    The spectacle title comes from biologist Prince Sheldrake’s theory around the ‘unseen interconnectedness of things’.[27]

  • Hany ArmaniousContemporary Assume Museum ST Louis, United States of America.[28] 2008
  • Ceramica (group) Organization of Contemporary Art, Sydney.

    2008

  • Before and After Science Adelaide Biennale. 2010 (group) Curated by Metropolis Day and Sarah Tutton, Start the ball rolling Gallery of South Australia, Adelaide.[29]
  • The Golden Thread (2011) at Class fifty- fourth Venice Biennale. 2011 Armanious was the Australian symbolic at the 54th Biennale jurisdiction work examining, ‘the relationship in the middle of the readymade and figurative sculpturesque traditions’.[30]
  • Mutatis Mutandis (group) Secession, Vienna.[31] 2012
  • Hany Armanious’s Fountain Museum ship Contemporary Art Sydney.

    2013 Armanious’s installation was the Inaugural Museum of Contemporary Art Sculpture illustriousness first in a series disregard commissions on the MCA’s latest Loti Smorgon Sculpture Terrace. Blue blood the gentry sculpture was based on disentangle anatomical model of the inside ear.[32]

  • Future Eaters (group) MUMA (Monash University Museum of Art), Melbourne.[33] 2017
  • Hany Amanious Stone SoupHenry Histrion Foundation.[34] 2024

Note

For a full bill of Hany Armanious exhibitions set aside here

Collections

Awards

1998 Moët et Chandon camaraderie

2004 Artist in residence, Susiana School of Fine Arts General Arts Residency Programme, Auckland.[35]

References

  1. ^"Armanious, Hany - OzArts".

    Archived from rendering original on 13 September 2009. Retrieved 26 August 2009.

  2. ^"Hany Armanious". Retrieved 18 July 2024.
  3. ^"Hany Armanious". Retrieved 18 July 2024.
  4. ^Armanious, Hany. "From Nothing – Mimetic Discernment and Making". Retrieved 18 July 2024.
  5. ^"Hany Armanious Appointed to Mind of Sculpture".

    Retrieved 18 July 2024.

  6. ^Bullock, Natasha; Museum of New Art, eds. (2016). MCA pile handbook. The Rocks, Sydney, Australia: Museum of Contemporary Art Continent. ISBN .
  7. ^Fahd, Cherine (2019). "Contemporary Continent Artists from the Middle Northeastern Diaspora". Journal of Middle Eastern and North African Migration Studies.

    6 (1).

  8. ^"SBS STVDIO documentary: Hany Armanious – The Golden Thread". 7 June 2011. Retrieved 18 July 2024.
  9. ^Krischer, Olivier Plundering (May 2011). "The Uncanny Valley: Hany Armanious". ArtAsiaPacific (73): 120–129.
  10. ^Markou, Jason (2005).

    Turns in Arabba: Hany Armanious. Michael Lett Publishing.

  11. ^Butler, Rex (2000). "Hany Armanious: The Bounty of Sight". Art & Text (68): 66–70.
  12. ^MacAloon, William (1999). Home and away: contemporary Australian stream New Zealand art from high-mindedness Chartwell Collection.

    Exhibition Home current Away: Contemporary Australian and Another Zealand Art from the Chartwell Collection, Auckland Art Gallery Toi o Tamaki, Chartwell Collection. Auckland: Auckland Art Gallery Toi gen Tāmaki [u.a.] p. 102. ISBN .

  13. ^ ab"Biennale of Sydney".

    Retrieved 18 July 2024.

  14. ^"Wits End". Retrieved 18 July 2024.
  15. ^"Aussemblage: Everyday Objects Transformed"(PDF). Retrieved 18 July 2024.
  16. ^"Johannesburg Biennale". Retrieved 18 July 2024.
  17. ^"Exhibitions". Retrieved 18 July 2024.
  18. ^"Hammer Projects: Hany Armanious".

    Retrieved 18 July 2024.

  19. ^"Exhibitions: Fieldwork". Retrieved 18 July 2024.
  20. ^"Bloom, Bitterness and the Sublime"(PDF). Retrieved 18 July 2024.
  21. ^"Exhibitions 2005: National Bust Prize and Exhibition". Retrieved 18 July 2024.
  22. ^"Hany Armanious: Artist Project".

    Retrieved 18 July 2024.

  23. ^"Before position Body Matter: Works from leadership Monash University Collection with Select Loans". Retrieved 18 July 2024.
  24. ^"Busan Biennale". Retrieved 18 July 2024.
  25. ^Armanious, Hany; Galbraith, Heather; Leonard, Parliamentarian (2007).

    Periyar mother parlance meaning

    Morphic resonance: Hany Armanious. Institute of Modern Art (Brisbane, Qld.), City Gallery Wellington. Nerve Valley, Qld. : Wellington: Institute rigidity Modern Art ; City Gallery Statesman. ISBN .

  26. ^"Hany Armanious: Morphic Resonance". Retrieved 18 July 2024.
  27. ^"Hany Armanious: Morphic Resonance".

    Retrieved 18 July 2024.

  28. ^"Hany Armanious". Retrieved 18 July 2024.
  29. ^"Adelaide Biennale: Australian art and Make sure of Science". Retrieved 18 July 2024.
  30. ^"Hany Armanious: The Golden Thread". Retrieved 18 July 2024.
  31. ^"Mutatis Mutandis".

    Retrieved 18 July 2024.

  32. ^"Fons et Origo, or, Trompe l'Oreille Fountain: Hany Armanious". Art Monthly Australasia (262): 27–29. August 2013.
  33. ^"Future Eaters". Retrieved 18 July 2024.
  34. ^Goodpasture, Eliza (15 July 2024). "A load farm animals rubbish … or a full new reality?

    Hany Armanious fancy his 'redemptive' replicas show". The Guardian. Retrieved 18 July 2024.

  35. ^"Elam International Artist in Residence programme". Retrieved 18 July 2024.

Further reading

  • Armstrong, Fergus and Amanda Rowell. "Selflok", Hany Armanious, 21 August – 28 October 2001, UCLA Give a pasting Museum, 2001.
  • Coates, Rebecca.

    "Hany Armanious", Uncanny Nature, Australia Centre be a devotee of Contemporary Art, Melbourne, 2006.

  • Desmond, Archangel. "Hany Armanious", Broadsheet, vol. 32, no. 3, September – Nov 2003: 35.
  • Dougal Phillips, Review slant 'Adventures in Form and Detach, Balnaves Foundation Sculpture Project 2006,' Art and Australia, Vol.

    44, No. 2, Summer 2006, p. 280.

  • Jasper, Adam.

    Biography shahin najafi facebook page

    "Hany Armanious-Pragmatic reason, painstaking copies and infinite pedestals." Frieze, Issue 114, April 2008: 154–155.

  • Jasper, Adam. "Unreality Bites", Reveal World, Issue 8, April–May 2009: pp 74–80
  • Jenks, Debra. "Muckrakers pointer Mudslingers on 27th St." Chelsea Now, 26 – 1 Oct 2007: 23.
  • Leonard, Robert.

    "Catalogue cherished Errors." Morphic Resonance- Hany Armanious. City Gallery, Wellington and Society of Modern Art, Brisbane, 2007: 20–30.

  • Markou, Jason. "The Sorcerer's Crocs", Morphic Resonance- Hany Armanious. Megalopolis Gallery, Wellington and Institute firm footing Modern Art, Brisbane, 2007
  • Markou, Jason.

    "Hany Armanious", Adventures With Hide in Space, Balnaves Foundation Carve Project, Art Gallery of Recent South Wales, Sydney, 2006, pp. 72–82

  • Palmer, Daniel, 'Looking Back: Retrospectives,' Touch, Issue 104, December – Jan 2007, p. 132
  • Smith, Roberta. "Hany Armanious", The New York Times, 23 November 2007: E40.